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Course Schedule

Wed, Jan 07: Introduction & Course Overview

Section titled “Wed, Jan 07: Introduction & Course Overview”

Overview of the course structure, objectives, and assessment methods.

Read:

  • Sylvia Barnet, “Formal Analysis and Style” in A Short Guide to Writing about Art (available on myClass)

Fri, Jan 09: The Early Italian Renaissance: Optics, Anatomy, and Humanism

Section titled “Fri, Jan 09: The Early Italian Renaissance: Optics, Anatomy, and Humanism”

From mathematics to the invention of linear perspective in Florence.

Key artists: Masaccio, Donatello, Brunelleschi, Botticelli.

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Wed, Jan 14: The Northern Renaissance: Sacred Realism and the Self

Section titled “Wed, Jan 14: The Northern Renaissance: Sacred Realism and the Self”

Devotion, detail, and the construction of identity through the “Moment of Self-Portraiture”.

Key artists: Jan van Eyck, Robert Campin, Hieronymus Bosch, Albrecht Dürer.

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Fri, Jan 16: The Spirit of the High Renaissance

Section titled “Fri, Jan 16: The Spirit of the High Renaissance”

Exploration of High Renaissance art and markets.

Key artists: Leonardo da Vinci, Michelangelo, Raphael.

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Linear Perspective in Action is due.

Wed, Jan 21: Late Renaissance and Mannerism

Section titled “Wed, Jan 21: Late Renaissance and Mannerism”

Analysis of the Mannerist style and its departure from Renaissance ideals.

Key artists: From Titian to Pontormo, Parmigianino, El Greco.

Read:

  • Arnold Hauser, “The Concept of Mannerism” in The Social History of Art, Vol. II: Mannerism and Art in the Baroque Era

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Fri, Jan 23: Baroque and Counter-Reformation

Section titled “Fri, Jan 23: Baroque and Counter-Reformation”

Investigation of the rise of Baroque art.

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Study of Baroque art in the Netherlands and Flanders.

Key artists: Rembrandt, Rubens, Vermeer.

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Exploration of the Rococo style and its characteristics during the reign of Louis XV.
Key artists: Watteau, Fragonard, Boucher.

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Wed, Feb 04: Art in Encounters: The Global Baroque

Section titled “Wed, Feb 04: Art in Encounters: The Global Baroque”

The “New World” after contact: Hybridity, tequitqui, and the global baroque.

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Fri, Feb 06: Pre-Columbian Art and Architecture

Section titled “Fri, Feb 06: Pre-Columbian Art and Architecture”

Exploration of Aztec and Inca art and architectural achievements.

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Wed, Feb 11: From the 14th Century to the Mogul Empire in the Indian Subcontinent and Beyond

Section titled “Wed, Feb 11: From the 14th Century to the Mogul Empire in the Indian Subcontinent and Beyond”

Study of South Asian art from the 14th century.

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Fri, Feb 13: Chinese Art from the late Yuan through the Qing Dynasty

Section titled “Fri, Feb 13: Chinese Art from the late Yuan through the Qing Dynasty”

An overview of Chinese art of the Yuan, Ming, and Qing Dynasties.

Key topics: Literati painting, porcelain, the Forbidden City.

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Wed, Feb 25: Art in Japan since the 14th Century

Section titled “Wed, Feb 25: Art in Japan since the 14th Century”

From the Muromachi to the Edo period.

Key topics: Zen gardens, tea ceremony, Ukiyo-e prints.

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Fri, Feb 27: African Art After European Contact

Section titled “Fri, Feb 27: African Art After European Contact”

Art, power, and the impact of colonization.

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Midterm Exam covering material from weeks 1-8.

Arts of Oceania: Polynesia, Micronesia, and Melanesia.

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Fri, Mar 06: North American Indigenous Art

Section titled “Fri, Mar 06: North American Indigenous Art”

Study of indigenous art forms from various North American cultures.

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Wed, Mar 11: Neoclassicism and Romanticism

Section titled “Wed, Mar 11: Neoclassicism and Romanticism”

Study of Neoclassical and Romantic art movements.

Key artists: Ingres, Delacroix, Goya.

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Analysis of the Realist movement and its focus on everyday life.

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Wed, Mar 18: The Modern Gaze: Photography & Impressionism

Section titled “Wed, Mar 18: The Modern Gaze: Photography & Impressionism”

How the invention of photography challenged painting and gave rise to Impressionism.

Key figures: Daguerre, Talbot, Monet, Renoir, Degas.

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Exploration of Post-Impressionist artists and their diverse styles.

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Overview of early 20th-century modernist movements such as Fauvism, Cubism, and Expressionism.

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Examination of modernist movements between the World Wars.

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Overview of Abstract Expressionism and other post-war art movements.

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Study of Pop Art, Minimalism, and Conceptual Art.

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  • Lucy R. Lippard, “Introduction” in Pop Art

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Exploration of movements leading to contemporary art practices.

Final Exam covering material from weeks 9-14 will be available for 24hr.